Malta International Biennale
The first International Malta Biennale:
In a balancing act between multiple worlds,
the tender and the sinister, the joyous and the glorious,
resplendent and melancholy as powerful, black suns,
the Matriarchs stand as embodiments of a genealogy
forged in tumultuous waters marked by hostility, wars, deaths and setbacks,
to unleash their song-hymn-scream to life.
The Matri-archive of the Mediterranean
Today’s archival vocation presents itself as indispensable, a conservation obsession introduced by philosopher Jacques Derrida in his seminal work, Mal d’Archive (Galilée, 1995). ‘Archive Fever’ has become a pervasive reality of our times, with the ‘patri-archive’ – the selection of texts, memories, documents and materials to be preserved and transmitted – carried out by the ‘archons’, the (male) rulers who have always safeguarded power, order and tradition.
The inaugural maltabiennale.art 2024 is set to challenge the status quo with a ‘matri-archival’ perspective, to counterbalance the patriarchal archiving conventions, with a series of questions – what transpires when an archive dedicated to women is established? How is memory transmitted along a matrilineal continuum? If the function of the archons is reimagined by the matriarchs, could this pioneering archive perhaps represent knowledge and wisdom capable of expressing – in a feminine manner distinct from patriarchal rigidity – community interconnectedness and ever-evolving transformations?
In collaboration with Heritage Malta, the University of Naples L’Orientale, the Centre for Postcolonial Gender Studies, and the scholars of the Matri-Archive of the Mediterranean, the first thematic section of maltabiennale.art, curated by Sofia Baldi Pighi, explores the question of the archive in the context of creativity, memory and the artistic, performative female community of the Mediterranean region.
The Matri-archive presents itself as a radical, open archival platform for collecting and discussing issues such as: the ability to manage and transmit knowledge through the creativity of one’s own arts; the generational transmission not only of tradition but also of trauma stemming from patriarchal control, making artistic practice a tool for exorcism, processing and healing; the celebration of the matriarchs who have paved the way for experimentation, innovation and ingenuity for generations to come; the identification of practices, styles and forms necessary for new classification, identification, preservation and transmission.
The first thematic section of the Central Pavilion of maltabiennale.art 2024 will take shape at the Grand Master’s Palace, Valletta. Built in 1571 by the Knights of St. John, it has housed the residence of the Grand Masters, the French Commander (after 1798), British Governors and the Parliament of Malta (1921-2015). Today, the palace is the office of the President of the Republic – with its imposing presence in St. George’s Square, this site, which has wielded significant influence over Maltese history for over four and a half centuries, continues to house an extensive collection of weaponry.
maltabiennale.art aims to expose this institutional seat of power to a vision of female force through an archive that is – maternal (la mère), maritime (la mer, mother earth, the motherland where one is born and also emigrates from), and material (matrix, matter, materiality), via the extraordinary creativity of women who have inhabited Mediterranean shores. This feminine puissance affirms and embodies an imaginative and transformative potency, historically open to ‘unconditional hospitality’, and thus, strongly anti-military. As we stand on the precipice of reshaping historical narratives, is not the invention of an archive capable of preserving those legacies denied, uncelebrated yet resistant, for present and future generations, both necessary and urgent?
Matria-archivio del Mediterraneo & Curatorial Team
https://timesofmalta.com/article/what-archive-dedicated-women-look-like.1091861
